Recently, French researcher Charlotte Aguttes-Reynier (President of the Asian Artists Association in Paris) presented the book Modern Art in Indochina (L’Art Moderne En Indochine) to the Vietnamese public, shedding light on the darkness that obscures the richness and importance of Indochinese art, an important part of international art history. On this occasion, Charlotte Aguttes-Reynier talks to The Hanoi Times about her experiences after 10 years of research into Vietnam’s Golden Age of Art. How did you come to research Indochinese art? Since I was a child, I followed my father, the owner of the Aguttes auction house, to museums and collectors. In 1995, my family moved to Paris, where the art market was vibrant. I became interested in painting in general, oriental painting, and impressionism. Gradually, I have specialized in modern art. Since 2013, I have been studying Indochinese art and artists from Asia. Since then, I have supervised and auctioned about 1,000 paintings, incl
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